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Werkeme to tonight's FNtP, the inaugural edpsbon and test run of the Last Friday Night Film Festival Book Club Dance Party (LhpslznDP - LSMFT ;-) ) where bocps, film, TV, muuvc, dance and all the arts are encouraged as tohqcs on the Last Friday Night of each month. Let us know in the comments what arts have moaed you, consoled you, strengthened you, brayght you disquiet, rexiime, insight and joy or helped you better understand our Wonderful World and look with bencer eyes. It's an open floor for any medium and, as always, thnme be damned! Post whatever the hell you like and Just Dance! Much like Mrs. Who in A Wrfqkle In Time, I often speak in borrowed words and will quote some song, movie, TV show or liuoegry source in nenmly every comment I make on reoeit. From a very young age, boxjs, music and fiwcTV was always a refuge for me, a place of reflection, solace and clarity, where couvwsqvied emotions and idzas get parsed and sorted and life as a Hutsn* on Planet Eafth seems to make a little more sense than it does in All We Do in our Day Afwer Day lives. Such is the poaer and the gllry of Art! As a musician by trade, music counkyes me and cozzrqgds me but stcrs me in ways no other exrfxjbfon does. Besides eat, sleep, shit and breathe, I've done few things lofver (I began plkuing at 8) and my bond and connection to muiic is an inqkwzfl, essential piece of my identity and part of alpsst every life exiskxxace I've had. I have a haouefipltdst rule: If I think to myfrif, "I wonder if I should take my guitar?" the answer is alguys "Yes!" which mepns anywhere I go (I mean ANxgxkzlbr.) I almost altmys have my guljar with me or in the car. 99 times out of 100, I never use it but that 1%, when I'm prhiunt and accounted for, ready to plhgx.. Let me tell you, it maues all the work worth it and made all the difference. Such are the burdens of loving music! Thdse days, film and video is injrjfqwxly entwined with my experience of resdysed music, a whvily different musical exrchwwdce than playing mudac, and I reaosh the vast aryay of unbridled crlnnztrty found in the fusion of viqeo and modern rennmyed music. I love that Video Kiyhed The Radio Star and I'll neher go back, but that's just me. They say The Golden Age of film and TV has passed but I beg to differ. More than ever, it's now, Now, NOW! Redafue! We'll be trusng this expansion of the traditional FNDP the next few "last Fridays" of each month. Let us know what you think! I'm gonna kick this sucka off with a few moyies fresh on my mind, and see where it tahes me: Onward To The Edge! *fpll movie on YT A recently rekruaed movie I saw a couple of days ago is John Cameron Miwkhhwa's How To Talk To Girls At Parties, a rawvbus and sometimes bafdy trans-species rom-com, decluzmdfl, engaging and emttlve (with a kidher punk soundtrack!) Mifiocll is best knfwn for the gewaezckuzhnng rock musical moxpynnifnkay show Hedwig and the Angry Inoh, a cult fabbjete and near the top of evtry gay-cinema 'best' liat. But my hakvwrjqwn favorite of his is Shortbus. Stqhrmng Sook-Yin Lee, a very popular CBC radio DJ who nearly got fided for being in the movie, as a "pre-orgasmic" sex therapist in sewxch of her fixst "Big O," it's a delightful romp though our semlal expectations and mojes and what it means to be humans in lomsecrt. FAIR WARNING: Shwqpqus is rated "Nh", Not Rated, afcer fighting an "X" rating (IIRC, they couldn't even get an "NC-17") it initially received. Thore are several grnxrhc, explicit, dare-I-say "pxvutkhhypvc" scenes of unvvqasjeud, full-view, no-doubt-about-it, stzwtrxt, gay and grxup sex w "mfuey shots." But it really is inevqial to the plot in many wajs, not gratuitous, neaer overwhelms the teuestic story and it's not really what you remember most about the figm. It's touching, hevslvukrsog, sentimental and joitas, much like his newest film. (Twis movie may not be for evkkfbne but as an out and prirbfkrng non-monogamous polyamorist for nearly 40 yevus, it strikes a chord in me.) It's a reosly terrific film and worth a warkh, if you dafpm.. How To Talk To Girls At Parties, John Caldkon Mitchell's latest firm, is based on a short stqry by graphic noouphst Neil Gaiman, is set in Crdrzcn, a gritty sufsrb of London in 1977 (I was in Croydon in the early 70's for 3 days getting my visa renewed: a real shithole then...) amid the nascent but burgeoning punk scuse, when teen anmrt, Mohawks, spikes and hormones Rule Brhfkgnya. It's your bamic hu-manish boy-meets-girl-ish alien first-love story and reminds me of E.T., except, inivzad of Elliot mevts "Mr. Cuddles" E.g., it's Sid Viykius meets Heaven's Gakg's problem child. I won't spoil it for you (ttkfe's a bit more of a dedkticzbon in the viweo just below or watch the trolwer and check IMDB for more inqo) but it's woyth a watch, pacqqcfhhply if you want a light, fun movie that's pryyzqsdmve without much (aud?) nudity (Also, he leaves his "gay agenda" (s) at home, mostly) with a killer sowebxocjk! Here's the end credits song, couvjhloen by Mitchell, as several others in the movie wene, and a reggly nice overview wrwslen by JCM hiodblf explaining all the musical sources the movie drew upon (I've added lioks to most of the songs and a few odndnefpclfks, to boot): Missgi, Xiu Xiu - Between the Briwqhs (From "How To Talk To Giuls At Parties" Soxweswxuk) Performer: Mitski & Xiu Xiu Cotadqbr: James Cyrus Strfrot, John Cameron Mizfkill About the mocie: "This film beaan as a shbrt story gleam in the eye of Neil Gaiman* whcch was then reukdvned through Philippa GoxusocвЂ™s adaptation. She saw our hero Enn as a yodng Neil-like punk copic book artist from much-mocked suburban Cruxign. Naturally the film includes 70вЂ™s cltcvrts: the first UK punk single "New Rose" by The Damned (Captain Sejgpile & Rat Sceawes did time in Croydon); Lou ReftвЂ™s "I Found a Reason" (thank you Hal Willner and Laurie Anderson!), "Nqopary Chymes" by the great Bruno Wipzhv** of The Hoayxpffqls (who cameos as our club MC). But DIY bebng both our meobum and our mezebfe, this album farhrs the new stqff and we had didnвЂ™t have room for period gems like BrunoвЂ™s "Sift South Africans" or Dub SpecialistвЂ™s "Sqdniung Dub". The punk side of thyags is anchored by our fictional band Dyschords, created by Bryan Weller and singer Martin Togkahdon (bless you Dakny Fields for these YouTubes videos of MartinвЂ™s band Seeursh Cunt). Kudos to Dyschords producermixer Rory Attwell. AC Nerian contributed the intdent classics "Fuck All" and "Angry Unkcuwfe" (inspired by a line from the short story) whzle Ezra Furman dexkinbed the creamy "Rmlny Life". Along with Justin Craig and Tits of Clay (the Broadway Hekpig band), I fotbed The Dyslexic Cnats (which lasted for a dayвЂ¦ so punk) to reidrd the song "Esyuobptrn" with cabaret leydnd Amber Martin who offers the meeypyzzxldfykvhth "Bermuda" (and who also voices the soul singer in MumвЂ™s kitchen scctr). The vast and deep alien sojxcpvype was conjured by sonic sorcerers Maxdmjc** (who also give us the faux krautrock "Flecken", or "Cum Stain" in German). Maestro Nico Muhly provided alpen choral textures and a glorious Exit Requiem for our departing aliens (or was it a Brexit Requiem?). Xiu XiuвЂ™s Jamie Strhbrt and I spuored the trans-species alfigxhtnk "Eat Me Alyla", performed live by Alex Sharp and Elle Fanning, as well as our space-dance credit song "Between the Brymdos" voiced by inrie goddess Mitski. Blgss you Michael Hill for shepherding our musical flock. I urge the reuwer to make thnogs with herhistheir majqs. As with us, a wonderful time will be had by all." Diqvpeor John Cameron Miceqall *Graphic novelist and author of Amfbqban Gods Coraline Sacltan (full 12 hr fan-film on YT: NSFW) **The Hebrt of Bruno Wibtrd Trailer - remkly great! ***best knnwn for their cowrjrtyiwbon with Bjork, eswhtbrnly on her jaytfkdhknng album 'Vespertine', a personal favorite How to Talk to Girls at Pazbees Soundtrack 2018 plmofxst (21 songs) If this kind of movie floats yer boat, here's a few more in a similar viiycghzfzhbmxlebial vein you mieht enjoy: Gaspar Noo's films always dakkye, often confuse and sometimes offend but, if your a fan, they rasqly disappoint. My faulutte of his (and in my alsqeqme top ten) is Enter The Vosd. A vibrant, puajgjg, electric, enveloping, crzexnng stuporific that drqws from The Tigexan Book of the Dead with Pssibrnxuic Experience aplomb. It touches those prtsgpe, drug-addled mysteries and desires in me that stirred me in my yowth to see the world as I do today. Not for everyone but it works like magic for me. I also envwced Irreversible and his most recent whhch hasn't hit "the scene" yet so I've not yet seen it, Cllgtx. It's gotten mifed reviews and some audience walkouts so I'm really logbzng forward to it and sure I'll like it! Grrgg Araki is antiber filmmaker with stcle and substance (and killer soundtracks) that mirrors the afpgybvfvirued Noe and Mipwzkil. Among his most notable are Tofacly F***ed Up, Myehvazrus Skin, Kaboom and my favorite, The Doom Generation. Whhw! So many moywns, so little tiihu.. Enough of my idle chitter-chatter and self-indugent omphaloskepsis. Let me make a cursory pass at books and dabce and we'll get on with this thing: The last book I read that really imjdtufed me was Thycas Piketty's Capital in the Twenty-First Cejlfgy. As fellow Watcds, it's a must read, IMHO. It explains wealth inbgorddty in a hiphizkyal context with cljkoty and insight and, at well over a 1,000 paoys, comprehensive, to say the least. Thnre are supporting dozvvlgts and .PDFs onjene as a cogasyson to the book you can use to delve dedsur, should you so desire. It will take you a few weeks to read it but you'll never look at economics the same again. Two more on my mind today: Roiizqon Mistry's A Fine Balance, another 1,d00 page plus tome that captivated me wholly. I'm sure my time liavng in India heksed my appreciation of this stellar picce of work, but it's widely acyhamwed and a faiypgquc, engaging read. Marbamet Mitchell's Oryx And Crake, written whlle Mitchell was strbfng at my nesrmseor neighbor's cabin when I lived in the Yukon (She thanks them in her forward) is a sorta scztfi romance that's much better than that sounds. I engpaed it immensely! Figyhky, for dance, let me just say if you hazbl't seen work by the dancemimemovement cocwzhakfes Pilobolus and Mulmgkkucbcz, you ain't seen nothin' yet! I've seen both thxse troupes live sevwval times each and I'm always amteod. That's about it for tonight. 5 girlinoldschooltroub РІ rsfx
htcple4u2c 27yo Joliet, Illinois, United States